New gel printing techniques and other projects

For my sister's birthday card, I took inspiration from the new collage book I bought.  There is a post about it here.  I used some of my painted papers, cut the shapes out and decorated them.  I hope she liked it!

I have also been enjoying Clare Cosens Designs on Youtube. Her videos are clear and easy to follow and she is a great teacher.  I watched her video on layering using stencils and had a go myself.  My paints beaded up a little on the gel plate, rather than being a flat layer, but I like the end result. The secret with this technique is to let each layer dry thoroughly, before adding the next.

Here is my other experiment with this technique.  It is one I will use a lot, I think, although waiting for the paint to dry takes patience, especially when you want to add the next layer!

I really enjoyed the Gel Printers Summit where every day, a different gel printer presented a different technique.  Some really appealed to me, especially one by Sarah Jane Gordon.  She used seaweed,  stencils and fossils to create a layered print, and by using printing inks, which stay wet for a long time, you could work directly on the plate.   I had some printing inks which I use for lino printing, but I hadn't used them on the gel plate. They wash out with water so are much better than the inks I had to use at school and college, which could only be cleaned using white spirit.   

Here are some of my first attempts, using stencils and stamps. 

I do like the layering effect and I wasn't waiting for layers to dry, so it was a less time-consuming process.  Again, I am sure I will get better with practise.

The ghost prints were still rather nice too.  Gel Printers Summit gave me a lot of information and I shall revisit some of the videos as they were packed full of tips and techniques along with the projects. While gel plates are very forgiving and a beginner printer can make some amazing images, I hope that as I improve, I will make more considered decisions and end up with some lovely prints.

An Autumn bouquet

On his return from shopping last week, my lovely husband presented me with these flowers 'just because'.  They are such autumnal colours.  

There was an ornamental cabbage included which is in its own vase, because they can start to small rather nasty after a while, so I hope that will help it to keep fresher.  I was really touched by this bouquet and have been enjoying the colours all this week. 

Wanderlust 2024 - weeks thirty-three to forty - Drawing

 The Drawing theme has been an interesting one, with some weeks I enjoyed much more than others.  

This first week in the theme was about choosing a painting and then removing parts of it to add our own mark, tracing over the shapes.  I chose this Waterhouse girl and kept her head, hands and feet but then added to her sleeves and dress.

Week thirty-four found us drawing with different pencils - H through to 6B in my case, although I used 2B most. We looked at the work of Francoise Gilot, who was a muse to Picasso as well as his partner for ten years.  A blending stump (which I hadn't really used that much before) was used to create the shadows and shading and I was pleased with my results.

I loved using photographs and drawing with a waterproof pen in a loose style, before adding watercolours.  Haddon Hall on the left, my front door on the right.  This was a lesson from Kate Crane, who I am a fan of.

We had to draw a self-portrait in pencil crayon for the following week and I did not enjoy that at all. I don't like seeing myself in photos and then to have to draw myself too - ugh!  I wasn't happy with the end result, so covered it with gesso and then covered that with tracing paper and marks.  It is there on the left hand side, but you can't really see it anymore, which is a blessing!  It's my 'Branwell' portrait (the famous one Branwell Bronte painted of himself and his sisters and then painted himself out. You can see it here.)

Drawing a tree using inks and a bamboo pen and sticks and then adding in crayons was the next week.  Not one of my favourites.

Illustrating a list of things we could choose from various prompts was much more up my street.  We had two colours and could layer them up to add shadows as needed.  

We gathered leaves and flowers from our gardens, or went on a walk and then used repetition of shapes in different sizes to create these botanical-looking things. It was all about being loose and not over thinking.  I like the swirly background I made.

The final week was the 'Artful Musings' where an artist talks about their life and art.  They usually show a piece of their art which can be used as inspiration.  However, this was botanicals again, so I decided to keep with the drawing theme and try an exercise from Sketchbook Revival this year.  We used a viewfinder (2 x 2 inches) to locate interesting images and text from a magazine and these were cut out and stuck onto the journal page.  We then turned the page upside down and drew what we saw.  We could then add colour to the images. It was very freeing, as I was looking at shapes and lines in the images, so didn't get hung up on trying to make the drawing look like a coat or whatever it was.  

Here it is the right way up. 

We now move to the final theme this year, which is Alternatives.  We shall see what that brings...

New and inspiring books and courses

 I have been enjoying Sketchbook Revival, hosted by Karen Arbend again this year.  It is a free 15 day inspirational set of videos - two per day -  from different tutors with ideas for adding to sketchbooks/art practice.  They all offer a free gift, which usually involves signing up to their websites, but this is no hardship for those that particularly interest you.  I was reminded about this by Amy Maricle, whose weekly slow drawing tutorials I follow, was offering a video again this year.  The videos are available until 19th October for free but if you would like access after that date, you will need to pay.  I have made lots of notes,  as there are many techniques and ideas from the teachers that I would like to try.  

One video was by Lucie Duclos and it was really inspiring to me. I found that she has a book out, so that was straight on my list.  She has a mid-century vibe and uses collage and doodling to create her art works.

Here it is. It is certainly one of the best books I have bought as the images are eminently do-able (and I have all the materials required) and her step by step guidance is really good. Of course, it looks simple, but is all about the placement of the collage, which will no doubt take time to really be good at.

The vase collage she showed in the video is in the book and isn't it fabulous? I am really excited to be able to create pictures (and cards) like this.

Here's another one which looks really complicated, but is broken down into simple steps. She also gives ideas for changing the images and creating different pictures, so there is a lot to enjoy.

This is the other book I had to buy, as it combines abstract watercolours with doodling.  There a few 'flip through' videos of this book on Youtube, which give a good overview of the book. 

Here is just one of the pages, showing what she can do.  I love using watercolours and adding doodled elements will be very relaxing, I think. 

Now, I just need to make some time to play and practise.  I have signed up to some online courses; the Gel Printers Summit which starts tomorrow, the Gratitude Journal, which starts on 1st November and two others with one of the teachers from Sketchbook Revival, (Andrea Garvey), called the 'Travelling Sketchbook' and 'Colourplay'.  I am still doing my art journaling course and my Whimsies, Words and Watercolours' course too, so I have no excuse not to have something creative to do! (Fitting it all in is going to be the challenge but it is a nice challenge to have.)