Last Saturday, we headed off to Birmingham to see two exhibitions, one called Scent and the Pre-Raphaelites at The Barber Institute and the other called Victorian Radicals at Birmingham City Museum and Art gallery. Our journeys there and back were awful as although we went by train, earlier trains had been cancelled so we were all squashed in like sardines and far from comfortable. We have decided not to try travelling on a Saturday in future!
However, the journey aside, the exhibitions were really good. I had last visited the Barber Institute around seventeen years ago. We were able to really get up close and see lots of details that are missed when you look at reproductions in books. There were eleven paintings featured in this exhibition, some lent from other galleries.
When you can get close, you notice the veneer missing off the drawer, lots of items on the table, the reflections in the mirror and all the details.
Proserpine by Dante Gabriel Rossetti was one of the paintings which first got me interested in the Pre-Raphaelites. He painted eight versions of this subject. In this version, she has red hair.
'Medea' by Evelyn de Morgan was another painting full of fascinating details.
Some of the frames were as elaborate as the actual paintings they housed.
This beautifully observed harebell is on the left on the painting, near the girl's hand. There was a podium where you could press a button and a scent would be released to go with a painting. One for this painting did smell like fresh grass, or hay.
The gallery also houses this beautiful portrait by Elisabeth Vigee Le Brun of 'Countess Golovina'. There is more information about the painting
here. (This face reminds me of an actor, Julia Sawalha.)
This is another lusciously coloured painting,
The Blue Bower by Dante Gabriel Rossetti of one of his muses, Fanny Cornforth. No reproduction can do the colours justice, as they really are vibrant. I particularly like the blue and white background.
Victorian Radicals will follow...