Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Monday, 29 June 2026

Spamalot at the theatre

Yes, it has been hot in the UK.  Not hot compared to Europe, but hot for us here.  Definitely too hot for me.  Sleeping at night was the worst as the temperatures didn't fall enough to give a comfortable night.  I am so grateful that temperatures have fallen (although I think we are in for more heatwaves as the summer progresses).  I don't want to wish the time away, but I will be glad when the cooler autumn temperatures are here. OK, enough moaning!
Last Friday, we went to see a local amateur production of Spamalot, which was great fun. The show was slick and the time went quickly.  There was some great casting too, especially King Arthur and Patsy and all the cast had to work hard, especially those with multiple roles and quick changes.  Based on Monty Python and the Holy Grail, it has all the Monty Python silliness and some fun songs.  It also featured a film of Eric Idle as God.  The company last performed it 10 years ago and I enjoyed it then too.  The audience really enjoyed it and there was a standing ovation for the company.  A bit of silliness is what we all need to relieve the tension being caused in the World.  (The venue was air conditioned too, so that was a huge added bonus.)

Altogether now, "Always look on the bright side of life...*whistles*"

Monday, 14 April 2025

Six the Musical (Live - film)

 I haven't been living under a rock, so I have heard about SIX the musical, a modern reimagining about the wives of Henry VIII, but I hadn't actually been to see it. Travel to London and then the cost of tickets etc. means it would be a considered purchase.  I also wasn't sure that I would necessarily enjoy it.  However, I caught some of the songs on a TV programme and was intrigued, so started looking on Youtube and liked what I saw and heard.  The wikipedia entry is here and gives a good overview of the show and its creation.

image from Wikipedia

I noticed the show is touring the UK and although is coming relatively near us, again the cost would be a considered one. 

The original West End cast of Six, © photo by Idil Sukan/DrawHQ 

When I saw there was a film of the show with the original London cast coming to the cinema, I thought that would be the best of all worlds.  Serendipitously, it was this week, so I booked up and we went last Saturday.

I have to say, we thoroughly enjoyed it! The cast were so good, with fantastic singing voices and the choreography was slick and impressive.  The four piece female band, the 'Ladies in Waiting' were also at the top of their game. 

My favourite songs?  Haus of Holbein and for a fabulous jazz version here and Don't Lose your Head, (although this song doesn't really do Anne Boleyn justice, as she was intelligent and very much into politics) but there is something in all of them to enjoy.

I would happily go again!

Sunday, 23 March 2025

Do I Love You - play by John Godber

We went to see 'Do I Love You?' at the Theatre last Friday.  It's by John Godber and is a wonderful play, a rollercoaster of emotions,  interspersed with Northern Soul music and a slick, excellently choreographed group of three terrific actors, who bring their characters' various stories and their love of Northern Soul to life.

Chris and I are fans of John Godber's work and Chris has directed and starred in 'Bouncers', about a group of bouncers at a nightclub, and about group of boys and girls going out to the nightclub, by turns funny, sad, and definitely thought-provoking, all set to music of the time, which is probably John Godber's best known work.

 

Photo above and info below from the website here.

"Why not join twenty somethings Sally, Nat and Kyle in this hilarious comedy as they develop a love for, and the people involved with, Northern Soul. What started as a College project has grown into a passion, but the dance steps are exhausting. Far beyond their home city of Hull our trio find excitement, purpose and the tribe they’ve been looking for. Now they can’t get enough; from Brid Spa to Stoke, from Chesterfield to the Tower Ballroom our young soulies are determined to keep the faith! 

This is Northern Soul for a new generation, but with rising costs, unemployment, and small town blues, has anything really changed? Is this England 1975 or 2025? The pubs are closing, hospitality has gone, and strikes are everywhere; but when you’re out on the floor …

So spread the talc and grab your loafers, our trio are heading for a weekender! 

From the writer of the legendary Bouncers ...

It’ll never be over for us!" 

A link to the website is here and is you scroll down, there are the tour dates and a link to the programme. If is coming to a theatre near you, I thoroughly recommend it.  

Here's a link to Do I love you by Frank Wilson - enjoy!

Saturday, 20 April 2024

Count Arthur Strong - 'And It's Goodnight From Him!'

After a busy day at work, I was looking forward to seeing Count Arthur Strong.  We are big fans of his brand of silliness and it is a great antidote to the depressing elements of the world we are in.  We all need to laugh and Count Arthur enabled us to do just that. He is a bit of a 'marmite' character which people either love or hate, but he has had TV series as well as radio series so there is a lot to enjoy if it's your thing.
There is a good review of the show here which gives a flavour of what to expect. I was crying with laughter quite a lot.  Steve Delaney is a master of his art and this was a real tour de force.  One of my favourite bits was Count Arthur mangling 'back behind the butcher's block' in his own inimitable way.

If you like him, the dates and venues are above.  If you don't know what I am talking about, here's a taste of his comedy (talking to a life insurance salesman) on Youtube and here is one of the fan favourites from one of the TV series (Flying Lesson).

Sunday, 7 April 2024

Oh What a Lovely War

 A couple of weekends ago we went to Hull Truck Theatre to see Oh What a Lovely War by Black Eyed Theatre .


There are some very quick trailers on Youtube here and here .
The show itself was originally created by the cast at the time in 1963 and interspersed with songs from the time of the First World War.  However, it is (sadly) all too relevant today and the implication is that despite all the wars and conflicts since, the human race has learnt very little from its mistakes. If you would like to know more about the show, here is a link to a Wikipedia entry. 
The cast were all multi-instrumentalists and singers and they really earned their money. The show was moving, thought provoking and intelligent.  While the action was going on, which was extremely slick and well-choreographed, on the screen behind were projected the horrifying numbers of people killed in the various WWI battles.  Our one slight criticism is that the ladies' voices didn't carry so well we missed some of the lyrics from the songs, but none of the cast had microphones which added to the intimate feeling of the show.  
It was definitely a memorable afternoon. There are a couple of reviews of the show here  and here which give a flavour of the show as a whole and this particular revival.  The remaining dates and places on the tour are here.

Monday, 25 October 2021

Eric and Ernie

After a long time, we ventured out to the local theatre for an evening of laughter courtesy of Eric and Ernie.  Of course, this was a tribute to Eric Morecambe and Ernie Wise, but the actors are very skillful and you could almost believe they were the real twosome.  

For people of a certain age, Eric and Ernie conjure up lots of happy memories - the paper bag, the plays 'wot I wrote', the humiliation (in a nice way, if there could be such a thing) of the guest stars, the musical interludes (Mr Preview), the ice cream van, Bring me Sunshine...

We had a good evening.  They were on form and the actor who played Ernie, (I would imagine, much more difficult to get right) really showed that slightly pompous persona that he adopted.  

It was nice to support live theatre again (even if I did wear a mask).  It was even nicer to have a laugh!

Saturday, 16 November 2019

Count Arthur Strong - 'Is there anybody out there?'

(picture from here)
Chris and I went to see Count Arthur Strong at LPAC in Lincoln last Thursday.  He is currently touring with his new show 'Is there anybody out there?' We absolutely loved the show and laughed a lot. I was going to write about my highlights, but I found a review which sums up the show far better than I could.

This review is by Steve Bennett at the Leicester Square Theatre, London and can be found here.

"Science has given us great communicators like Carl Sagan, able to convey the complex, awesome mysteries of the universe with wonder and perfect clarity. Count Arthur Strong is not one of them.
In his new show – one of his funniest yet – the constantly befuddled star of stage and screen addresses the vast subject of ‘astromonography’ from the ‘Big Bump’ to space exploration.
Needless to say he does not stick to his planned trajectory. How many talks about cosmology end up with long digressions about bats being hit on the head with pineapples or an attempt to name the films of ‘Dustbin’ Hoffman?
Each turn of events makes certain sense to him at the time, until he suddenly comes to, hit by a sudden realisation how far off-topic he’s strayed. If punchlines are essentially misdirection, Count Arthur has the advantage that even he doesn’t appear to know where he was supposed to be heading in the first place.
One malapropism leads into another, and words prompt entirely unrelated memories – ‘I’ll tell you who had long arms!’ he non-sequiturs, leading into a wonderful reverie from the variety hall days. And his playlet depicting the origins of the telescope, as invented by ‘Gary Barlow’ is hilarious – you’ll never hear Galileo’s name in quite the same way again.

The Count’s professional background is shrouded in ambiguity, as is the premise of this show, which starts as some sort of pitch to replace his nemesis, Brian Cox, on the BBC but freely drifts into a talk to schoolchildren, complete with a conversation with the first monkey in space that turns a bit Rod Hull in one of his now-ubiquitous ventriloquism routines.
Not that it matters. Like so much in the Arthur Strong universe (no pun intended), the silliness doesn’t hold up to much scrutiny, but the random outbursts are viscerally funny, more than the mix-ups and misunderstandings have any right to be.
It’s a verbal slapstick, and like the physical sort is enhanced by the character. Someone falling over is funny; a pompous ass falling over and blaming the ground for hitting him even more so.
That Count Arthur is a proud and stubborn know-it-all adds force to the many gags Steve Delaney packs into these two hours. His enduring alter ego is so certain in himself that he ploughs on with his mistakes pigheadedly, and is quick to pick fights others when his train of thought inevitably derails, whether it’s his unseen stage hand, us in the audience, or just some random unseen force that stops him from being responsible for his actions. 
Asides give brief glimpses into how this curmudgeonliness leaches into his offstage life, irritating everyone he comes into contact with. And then there’s his pretentious affectations, such as pronouncing ‘actual’ as ‘arctual’ in the hope of adding gravitas to his idiocy. 
All this, and the inherent surreal unpredictability of proceedings, will have you laughing like a drain at some of the set pieces. The count’s dubious musical talents that top and tail the show are a delight, the elusive words and rhythm even more hilarious when under pressure to keep . And his dance moves! The Quo hands-on-hips  twist to Bowie’s Starman is something else…

Count Arthur’s BBC One show might be dead – unless he can land that stint on The Sky At Night –  but the good count was always best live, and this proves it. Even if it definitely isn’t rocket science… "

(picture from here)
It was an excellent show with a tour de force performance from the man himself.  I particularly enjoyed the list of chocolate bars named after space bodies and bats being hit on the head with pineapples...
Count Arthur has appeared in his own tv series and also radio too - there are lots of snippets on youtube if you are intrigued.  If the tour is coming near you, do try to catch it.

Tuesday, 13 February 2018

Yana and the Yeti - Pickled Image Theatre

photo from http://pickledimage.co.uk/yana/
Last Saturday, we went to a local theatre to see 'Yana and the Yeti' by Pickled Image.  It was advertised for 5+ years and there were quite a few children there.  It was a multi-layered story, focusing on friendship and acceptance.  While the children identified with the friends and bullying, there were other issues such as displacement which were more aimed towards adults.
The puppets were very engaging - Yana herself had blinking eyes and a movable mouth.  The puppeteers manipulated the puppets with mastery, care and precision and there was not one moment when the puppets weren't 'alive'.  When Yana went to sleep next to the Yeti (in the photo above), you could see them both breathing.
The backdrop was of a mountain filmed over twenty four hours and added to the whole magical ambiance of the piece.  The writers had created their own language for the performance, which had what sounded to be Scandinavian influences, but it was easy to follow.  The audience was invited to come and meet the puppets and their puppeteers after the performance and that was fascinating.
There is a short promotional film here about the performance which gives just a small flavour of the atmosphere and production.  It was a wonderful way to escape into a different world.

Sunday, 5 March 2017

Count Arthur Strong - The Sound of Mucus

We had a great evening full of laughter when we went to see Count Arthur Strong in his show 'The Sound of Mucus' on Thursday night.  He is the creation of Steve Delaney and has had eight radio series and two BBC TV series (so far).  Count Arthur is a frustrating, irritating but strangely endearing man, full of righteous indignation and a false sense of his own talents.  He is at his best with his malapropisms.  He treated us to a discussion on the best Sherlock Holmes (Benedict Cumberbatch gave many opportunities for word play - 'Cucumber Cabbage Patch' was one and my favourite was 'Bedford Van Camber Sands').  In the second half, he discussed the Sound of Music and his rendition of 'Sixteen going on Seventeen' had to be seen to be believed!

I have been listening to the radio shows series one and two yesterday and today while I have been making jewellery and sewing - a great way to spend the weekend!

Sunday, 20 November 2016

Austentacious - a great night of comedy

We had a wonderful evening last night when we went to see Austentacious at a local theatre.  The cast ask the audience to write down a suitably Jane Austen-like title and then they pick one at random and improvise the story. Each performance is different, although based in Regency time.  
We took along a few options: 'Bags and Baggages', 'Baubles, Bonnets and Bennets' and, my favourite, 'Fans and Fantasies'.  'Fans and Fantasies' was the first one picked from the basket and the speaker described it as Jane Austen's autobiographical account of a 'superfan', who became a stalker - not quite what we had in mind when we thought of it!  The second one was 'The White Faced Lady' which was described as Jane Austen's masterpiece about Elizabeth I.  The third was the one they would perform.  It was 'Mansfield Town Women's Football Club'.  I was slightly worried as it was a football based story (I am not a sport lover), but the cast did a wonderful job and at times I was crying with laughter!
The story revolved around a football club and the attempt by a woman (gasp), Miss Mary Pele, to join the said club.  There was also Eloise, Mary's sister, who was the perfect woman and adored by her father, who found a suitable husband in one of the footballers, Mr Charles Groves.  Mr Groves, it turned out, was carrying emotional baggage (which explained a lot) when he eventually revealed that his parents were killed in a freak accident concerning a huge gust of wind and a bag.  The football club was run by Miss Maria Wemmick and Dr Tamworth - Miss Wemmick becoming another player on the Women's football team.  There was also a villain, in the shape of Lord Abramovich, a wealthy Russian, although he was also possibly Scandinavian and then morphed into German, who wanted to support the male team and would stop at nothing to get what he wanted.  There was a happy ending - Lord Abramovich met the same end as Mr Groves' parents , Eloise found true love with Benedict, (Mr Groves' friend and also a footballer), Mary found love with Mr Groves and Dr Tamworth adopted Miss Wemmick as his daughter.
The cast did a fantastic job and judging from the gales of laughter from the audience, we all thoroughly enjoyed the performance.  The UK tour has almost finished now - just Bromsgrove, Lancaster and Kendal to go.  I would recommend this talented group's performance - funny, clever and witty.  If they tour next year, I will definitely go again.  Here's a link to their showreel which gives a taster of what they do.

Saturday, 20 October 2012

The Paper Cinema's Odyssey

 Chris and I experienced the most amazing piece of theatre last night.  A friend recommended this show to us, partly due to the use of puppetry but also for the magic of the performance.  We had had a busy day and weren't really in the mood to go out, but I am so glad that we did.  The story is based on Homer's Odyssey and is performed using beautifully drawn cut outs, lighting, and live music, played by multi-instrumentalists.
The puppeteer drew some of the characters in front of us and they were shown via video camera on a big screen.  Both the puppeteers sat on the stage, as did the musicians and it was difficult to know where to look as there was so much of interest going on everywhere.
I was a little concerned by some of the audience who were quite loud as we went in, but once the performance started, they were as transfixed as we were and you could have heard a pin drop.
There was no dialogue, but the music and artistry of the puppeteers created all the moods that were needed.  The musicians were extremely talented and some of the instruments used included a drill, a saw and a train whistle which doubled up as an owl hooting. The saw in particular gave the most beautiful ethereal sound which really added to the whole experience.
If this production is coming anywhere near you, please try to see it, as it is a truly unforgettable, magical evening.  The website - here - has a little taster video of the show if you scroll down.