Other cards this year

I like to post photos of the cards I make, as a reminder of what I sent to whom, as well as a record of what I have been making, so here are some more from this year.  Above is a simple stamped and watercoloured card. These clean and simple cards are often more tricky - all it takes is an inky finger print and you have to start all over again!

Easter cards are enjoyable to make and these were made using stamps, dies and stencils with pastel coloured backgrounds.

I made a couple of these for my cat-loving friends, using stamps and dies.

As this stencil and dies set from America cost me a fair bit in tax, I am determined to use it as much as I can.  It is a good one for using scraps and here there are embossed bits as well as scrap book paper.  

This one used some of the slow drawings I do on a Wednesday evening. I have amassed quite a collection of these little pieces, so it is good to use some of them.  

This one used embossing folder for the background, and some die cut flowers which I watercoloured.  The recipient is a teacher, so the letters and vintage book page number strip seemed appropriate!

I enjoy looking for themed supplies - hearts are a good one.  Here I used an embossing folder and a heart which had metal foil applied to it.  Simple, but effective, I think.

An embossed frame and stencilled image made this card.

I saw this inked technique demonstrated on TV and knew I wanted to try it.  I think it worked really well. The image is stamped onto watercolour card with Distress (or other water based ink) and then sprayed gently with water, just enough to react the ink and start it spreading.

Another simple card with a gel printed heart in the centre of the embossed background.

Finally (and well done for making it here!) is this card which uses one of the pieces I made in an online course I did in the summer. Lots of layers of paint and ink in this piece with a stamped butterfly as the focal point.   I have a couple of birthday cards to make for male family members and I find cards for men are a little more tricky but I have ideas of what to do, so watch this space.

Slow drawing - more double page spreads

I am still filling my slow drawing journal with patterns and here are some of the latest ones.  These are taken from the slow drawing lessons by Amy Maricle of Mindful Art Studio.  She usually has a lesson most Wednesdays from 6-7 pm in the UK (unless she is taking a break, in which case she leaves the most recent pattern available).  The videos are available for two days, unless you have a paid membership (which I don't).  The pattern above is called 'Bean' and I am considering whether to colour/paint in any of the shapes.

This is one of the most recent ones I have done (Botanical Watercolour for Beginners) and it was so relaxing - slow watercolouring, adding more water, then less water to the pigment as the shapes are layered up.

This one was inspired by one of Amy's patterns, 'Spirit',  but then I made it my own.  Cells? Tiny creatures? Seeds? 

Another one of Amy's called 'Grecian' but I started with one full circle and added the leaves/scales all around it. 

This pattern is called 'Prickers' and I love the complicated end result with the depth of the layers.  It was actually relatively simple to do and it built up quite quickly.  I still have a few single pages to go before the journal is full.

Accordion mini journal

For those people who expressed an interest in seeing my accordion journal for the Inchie Challenge, (I am looking at you in particular, kjsutcliffe!) here it is.

It is small and unfolds with the pictures on both sides.

You can also keep it 'closed' and turn the pages like a book.

The simplicity of the green circles for Eucalyptus is probably my favourite from this challenge.

Closely followed by this one, where I took the idea of a circle and complicated it with lots of pattern. I do enjoy drawing mandala-style images.

Inchie Challenge 2026

I have just finished the Inchie Challenge for 2026 - seven days of prompts using little watercolour pieces, two inches square.  This is run by Amy Maricle of Mindful Art Studio and I have been joining in for a couple of years. She is still offering this for free  She also offers Slow Drawing most weeks (you need to be signed up to the free tier on her site) - she does take the occasional week off!  She also offers much more on the paid part of her website, such as an extended Inchie Challenge, but I have not signed up to that.  

This year the prompts were (from left to right): Wildflower; Sprinkle; Blue; Landscape.

(From left to right again): Lines; Eucalyptus; Complicate.  What would you have drawn/painted?

Slow drawing is about taking your time and not rushing to complete something. The patterns are usually based in nature and open to interpretation; in fact, Amy encourages us to make the patterns our own and explore.  Materials are few - watercolour paper/card, a permanent ink pen and watercolours.  It is an hour of quiet concentration that I really enjoy each week.

Another art journal

 I've been working on another little journal as a spin-off from one of the lessons from the art journal course.  It's something I work on every now and again.  

The cover is a 'ghost print' from a gel plate printing session.

This page started as a pastel watercolour background which was decorated with drawn flowers.  The rest of the background was painted with dark blue acrylic paint.

On the right hand page I cut some flaps and added a stamped image.

This page started as a gel print, which was stencilled over, adding paint pen marks and gold squiggles. 

On these pages, there is a collage and a page with a pocket.

Here is the pocket page without the folded paper.  I really enjoyed drawing all the different lines within the circles as it is a very meditative activity.

Wanderlust 2026 - weeks fourteen to twenty-six - Paper Alchemy (part two)

Here are the other pages I particularly enjoyed making from the Paper Alchemy theme of the art journaling course.  Above is a collage of printed vellum, magazine transfers onto sticky tape, material, and photos. It was all about our past. 

We made 'paper leather' for this lesson, using packaging paper and coating it with a mixture of acrylic paint and glue. For some pieces, we added oil and scrunched it up and flattened it out many times which gave it a very 'leathery' feeling.  We also encased thread and sequins in tissue paper, which was rather messy, but fun!

As I make cards, making these cards was right up my street.  Abstract painting, painting an animal (our much missed cat, Scruffy) and then painting the background for one and finally using packaging to make a collage card.  

I used a matcha chocolate wrapper.

Watercolour flowers with added tissue paper foliage and gold accents worked really well.  Painting in the background made the flowers pop.

I did another version in watered down acrylics which worked well, but seems to have lost a bit of expression/spontaneity along the way.  I still like it though!

Making bunting using paper and material was a really enjoyable week.  I chose to make a single piece so that it could go in my journal. Alcohol inks on the gel plate made some lovely papers.

Finally for this theme was looking at the Japanese art of Kintsugi - taking something (usually a ceramic) which has got broken and then mending it, highlighting the cracks with gold.  Crackle paste came out to play here.  The photo in the centre is of Tupholme Abbey.

The crackle paste worked really well.  Our next theme is 'Stories Unfolded' - I think this may be another good one for me!

Wanderlust 2026 - First seven weeks - roots and wings

The art journal course I have been doing for several years is well underway and the theme was 'roots and wings'.  It has moved to intermediate skills and slightly away form always being pages in a journal.  However, I am keeping my work in a journal because I don't have space for 'things' to be on display.  It will be a challenge for some weeks, transferring 3D to 2D, but that will be fun in itself.  As last year, I won't show every week, just the weeks I particularly enjoyed.  Above was week one, where we were encouraged to use a big sheet of paper and be free, then cut it down.  I enjoyed making all the swooping brush marks.

This week was about someone who inspired us, so I made a tribute to my Granny. There are scanned watercolour paintings from when she was at school as well as a watercolour from when she was in Australia.  I have inherited a love of art and nature from her as well as enjoying sewing.  

Creating natural dyes was the focus of this week. I used walnut ink, tea and the bright yellow is turmeric. 

I so enjoy making books and journals too, so this week was really right up my street.  My little book has a pocket to live in.  We were encouraged to think about our dreams and what we hope for ourselves in the future.

This is the front with a handmade bird stamp, texture paste and a little fabric collage. The binding thread is decorated with beads.

Inside the book are pages including stamps, material, cut outs, tracing paper pages and quotes.

Found poetry on the left and a material flap on the right...

...which shows the word dream through a cut out page.

More stamps.

A final quote.  More to come in another post...

New woodless watercolour pencils

I have been looking at woodless watercolour pencils recently and the Distress ones by Ranger and Tim Holtz seem to be all over the internet.  However, I couldn't really justify the price of those and of course, there are six different sets to correspond with all the different colours in the Distress range.  I looked at a couple of other brands and these came up in my search.  They are Koh-i-noor 'Woodless Coloured Sticks' and for the price of one set of the Distress pencils, I got double the number of crayons (24) in a good range of colours. (I have a large number of Distress products, I use them a lot and they are good quality, but I am trying to look after my pennies a little more carefully!)

So, of course, once the pencil crayons arrived, I swatched them. You knew I would, didn't you?  The pencils feel quite satisfyingly substantial in the hand, which is to be expected as they are pure pigment,  but not so heavy as to make them uncomfortable.  There is a cover around them to stop the pigment getting on your hands.  I haven't yet had to sharpen them, but I have no doubt they will sharpen well and you can keep the sharpenings, add water to them and use them too. There is a good selection of colours and they blended out with water very smoothly. I have been having a play with them and am really pleased with my purchase.